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\u1601G\u1575G\u1578G\u1581G \u1570G\u1603G\u1610G\u1606G \u1587G\u1606G\u1577G 2004 \u1593G\u1604G\u1609G \u1580G\u1575G\u1574G\u1586G\u1577G \u1575G\u1604G\u1583G\u1576G \u1575G\u1604G\u1584G\u1607G\u1576G\u1610G \u1601G\u1610G \u1576G\u1585G\u1604G\u1610G\u1606G \u1593G\u1606G \u1601G\u1610G\u1604G\u1605G\u1607G Head\u8234G-\u8236Gon\par\qr\rtlpar \u160G\u1605G\u1605G\u1575G \u1603G\u1585G\u1587G \u1605G\u1587G\u1575G\u1585G\u1607G \u1603G\u1608G\u1575G\u1581G\u1583G \u1605G\u1606G \u1571G\u1603G\u1576G\u1585G \u1575G\u1604G\u1605G\u1582G\u1585G\u1580G\u1610G\u1606G \u1593G\u1604G\u1609G \u1575G\u1604G\u1587G\u1575G\u1581G\u1577G \u1575G\u1604G\u1583G\u1608G\u1604G\u1610G\u1577G. \u1576G\u1591G\u1585G\u1610G\u1602G\u1577G \u1573G\u1582G\u1585G\u1575G\u1580G\u1607G \u1575G\u1604G\u1578G\u1610G \u1578G\u1578G\u1585G\u1580G\u1605G \u1576G\u1608G\u1604G\u1575G\u1569G \u1587G\u1610G\u1606G\u1575G\u1585G\u1610G\u1608G\u1607G\u1575G\u1578G\u1607G\u1548G \u1606G\u1575G\u1604G \u1570G\u1603G\u1610G\u1606G \u1580G\u1608G\u1575G\u1574G\u1586G \u1603G\u1576G\u1585G\u1609G \u1581G\u1610G\u1579G \u1581G\u1575G\u1586G \u1593G\u1604G\u1609G \u1580G\u1575G\u1574G\u1586G\u1577G \u1604G\u1580G\u1606G\u1577G \u1575G\u1604G\u1578G\u1581G\u1603G\u1610G\u1605G \u1601G\u1610G \u1603G\u1575G\u1606G \u1587G\u1606G\u1577G 2007 \u1593G\u1606G \u1601G\u1610G\u1604G\u1605G\u1607G\par\qr\rtlpar De l\u8234G'\u131786Gutre C\u244Gt\u233G \u1608G\u1593G\u1604G\u1609G \u1580G\u1575G\u1574G\u1586G\u1577G \u1605G\u1607G\u1585G\u1580G\u1575G\u1606G \u1575G\u1604G\u1576G\u1606G\u1583G\u1602G\u1610G\u1577G\u160G Soul Kitchen\par\qr\rtlpar \u1587G\u1606G\u1577G 2014\u1548G The Cut\u160G \u1571G\u1582G\u1585G\u1580G \u1570G\u1603G\u1610G\u1606G\par\qr\rtlpar \u160G\u1608G\u1575G\u1604G\u1584G\u1610G \u1610G\u1593G\u1583G \u1575G\u1604G\u1588G\u1591G\u1585G \u1575G\u1604G\u1571G\u1582G\u1610G\u1585G \u1605G\u1606G \u1579G\u1604G\u1575G\u1579G\u1610G\u1578G\u1607G \u1593G\u1606G \u1575G\u1604G\u1581G\u1576G\par\qr\rtlpar \u160GHead\u8234G-\u8236Gon\par\qr\rtlpar \u1608G\u1593G\u1606G \u1575G\u1604G\u1588G\u1585G \u1575G\u1604G\u1605G\u1608G\u1578G\par\qr\rtlpar \u41182G l\u8234G'\u131786Gutre c\u244Gt\u233G\par\qr\rtlpar \u160G\par\qr\rtlpar \par\qr\rtlpar \u1605G\u1606G \u1571G\u1601G\u1604G\u1575G\u1605G\u1607G\par\qr\rtlpar R\u3738Glisateur & Sc\u233Gnariste | Director&screenwriter\par\qr\rtlpar \par\qr\rtlpar 2014 \u160G\u160G \u160GTHE CUT(La Blessure) *\par\qr\rtlpar 2012 \u160G\u160G \u160GPOLLUTING PARADISE(M\u252GllimGarten Eden) \u8211G doc *\par\qr\rtlpar 2009 \u160G\u160G \u160GSOUL KITCHEN* \u8211G Prix Sp\u3740Gial du Jury Venise 2009\par\qr\rtlpar 2008 \u160G\u160G \u160GNEW YORK, I LOVE YOU\u8211G collectif\par\qr\rtlpar GERMANY 09 (Deutschland 09) \u8211G segment BEING MURAT KURNAZ (Der Name Murat Kurnaz)\par\qr\rtlpar 2007 \u160G\u160G \u160GTHE EDGE OF HEAVEN (De l'autrec\u244Gt\u233G \u8211G Au15G der anderenSeite) * \u160G\par\qr\rtlpar Prix du Sc\u233Gnario\/Best Screenplay Festival de Cannes 2007\par\qr\rtlpar 2005 \u160G\u160G \u2572GROSSING THE BRIDGE: THE SOUND OF ISTANBUL\u8211G doc *\par\qr\rtlpar 2004 \u160G\u160G \u160GHEAD-ON(Gegen die Wand) * \u8211G Ours d\u8217Gor\/Golden Bear Berlinale 2004\par\qr\rtlpar \u160G\u160G \u160GVISIONS OF EUROPE\u8211G segment THE EVIL OLD SONGS (Die altenB\u246Gsen Lieder) *\par\qr\rtlpar 2002 \u160G\u160G \u160GSOLINO\par\qr\rtlpar 2001\u160G\u160G \u160GWE FORGOT TO GO BACK (Wirhabenvergessenzur\u4044Gkzukehren) \u8211G doc\par\qr\rtlpar 2000 \u160G\u160G \u160GIN JULY (Julie en juillet \u8211G ImJuli)\par\qr\rtlpar 1998 \u160G\u160G \u160GSHORT SHARP SHOCK (L'Engrenage \u8211G Kurz und Schmerzlos)\par\qr\rtlpar 1996\u160G\u160G \u160GWEED (Get\u252Grkt) \u8211G court m\u233Gtrage\/short\par\qr\rtlpar 1995\u160G\u160G \u160GSENSIN, YOU\u8217GRE THE ONE! (Sensin, du bist es !) \u8211G court m\u233Gtrage\/short\par\qr\rtlpar \par\qr\rtlpar * \u201Ggalement produ12Gteur\/Alsoprodu206Gr\par\qr\rtlpar \par\qr\rtlpar Produ12Gteur | Produ206Gr\par\qr\rtlpar \par\qr\rtlpar 2013\u160G\u160G \u160GMAMA COCA SuzanSekerci\u8211G doc\par\qr\rtlpar \u160G\u160G \u160GMAMAROSH Momcilo Mrdakovic\par\qr\rtlpar 2012\u160G\u160G \u2575GRAKTUS Lars Jessen\par\qr\rtlpar 2011 \u160G\u160G \u160GUFO IN HER EYES (Un ovni dans les yeux) Xiaolu Guo\par\qr\rtlpar \u160G\u160G \u2571GLUTZBR\u56538GZ\u214Gzg\u252GrYildirim\par\qr\rtlpar 2009\u160G\u160G \u160GMIN DIT (The Children oof Diyarbakir) MirazBezar\par\qr\rtlpar 2008 \u160G\u160G \u2572GHIKO\u214Gzg\u252GrYildirim\par\qr\rtlpar 2006\u160G\u160G \u160GTAKVA \u8211G A MAN\u8217GS FEAR OF GOD \u214GzerKiziltan\par\qr\rtlpar \u160G\u160G \u160GUOMINI D\u8217GONORE Francesco Sbano \u8211G doc\par\qr\rtlpar \par\qr\rtlpar \par\qr\rtlpar \par\qr\rtlpar \u1576G\u1575G\u1585G\u1603G \u1588G\u1575G\u1606G \u1608G\u1608G\u1603G\par\qr\rtlpar \u1605G\u1582G\u1585G\u1580G\u1548G \u1603G\u1575G\u1578G\u1576G \u1587G\u1610G\u1606G\u1575G\u1585G\u1610G\u1608G \u1608G\u1605G\u1606G\u1578G\u1580G\par\qr\rtlpar \u1603G\u1608G\u1585G\u1610G\u1575G \u1575G\u1604G\u1580G\u1606G\u1608G\u1576G\u1610G\u1577G\qr\rtlpar \par\qr\rtlpar \u1610G\u1588G\u1585G\u1601G\u1606G\u1575G \u1576G\u1575G\u1585G\u1603G \u1588G\u1575G\u1606G \u1608G\u1608G\u1603G\u1548G \u1575G\u1604G\u1584G\u1610G \u1587G\u1610G\u1581G\u1590G\u1609G \u1576G\u1578G\u1603G\u1585G\u1610G\u1605G \u1601G\u1610G \u1575G\u1604G\u1583G\u1608G\u1585G\u1577G \u1575G\u1604G\u1582G\u1575G\u1605G\u1587G\u1577G \u1593G\u1588G\u1585G \u1604G\u1604G\u1605G\u1607G\u1585G\u1580G\u1575G\u1606G \u1575G\u1604G\u1583G\u1608G\u1604G\u1610G \u1604G\u1604G\u1601G\u1610G\u1604G\u1605G \u1576G\u1605G\u1585G\u1575G\u1603G\u1588G\u1548G \u1576G\u1573G\u1604G\u1602G\u1575G\u1569G \u1583G\u1585G\u1587G \u1593G\u1606G \u1578G\u1589G\u1608G\u1585G\u1607G \u1604G\u1604G\u1587G\u1610G\u1606G\u1605G\u1575G\par\qr\rtlpar \par\qr\rtlpar \u1605G\u1606G \u1571G\u1601G\u1604G\u1575G\u1605G\u1607G\par\qr\rtlpar R\u3738Glisateur | Director\par\qr\rtlpar 2015\u160G\u160G \u160GTHE HANDMAID (Agassi) **\par\qr\rtlpar 2014\u160G\u160G \u2570G ROSE REBORN * \u8211G court m\u233Gtrage\/short\par\qr\rtlpar 2013\u160G\u160G \u160GSTOKER\par\qr\rtlpar 2012 \u160G\u160G \u41178GY TRIP \u8211G cor\u3738Glisation, court m\u233Gtrage\/short\par\qr\rtlpar 2011 \u160G\u160G \u41056G SECONDS OF SOLITUDE IN YEAR ZERO \u8211G collectif\par\qr\rtlpar NIGHT FISHING (Paranmanjang) *\/** \u8211G cor\u3738Glisation, court m\u233Gtrage\/short\par\qr\rtlpar Ours d\u8217Gor du Meilleur Court M\u233Gtrage\/Golden Bear for Best Short Berlinale 2011\par\qr\rtlpar 2009 \u160G\u160G \u160GTHIRST (Thirst, ceci est mon sang \u8211G Bakjwi) *\/** \u8211G Prix du Jury Festival de Cannes 2009\par\qr\rtlpar 2006 \u160G\u160G \u160GI\u8217GM A CYBORG, BUT THAT\u8217GS OK (Je suis un cyborg \u8211G Ssa-i-bo-geu-ji-man-gwen-chan-a) *\/**\par\qr\rtlpar 2005 \u160G\u160G \u160GSYMPATHY FOR LADY VENGEANCE (Lady Vengeance \u8211G Chinjeolhangeumjassi) *\par\qr\rtlpar 2004 \u160G\u160G \u160GTHREE\u8230G EXTREMES (3 Extr\u234Gmes \u8211G Saamgaangyi) \u8211G segment CUT *\par\qr\rtlpar 2003 \u160G\u160G \u160GIF YOU WERE ME (Yeoseotgaeuisiseon) \u8211G segment NEVER ENDING PEACE AND LOVE\par\qr\rtlpar \u160G\u160G \u160G\u160G\u160G \u160GOLD BOY (Oldeu11Goi) * \u8211G Grand Prix Festival de Cannes 2004\par\qr\rtlpar 2002 \u160G\u160G \u160GSYMPATHY FOR MR. VENGEANCE (Boksuneunnauigeot) *\par\qr\rtlpar 2000 \u160G\u160G \u160GJSA \u8211G JOINT SECURITY AREA (Gongdonggyeongbiguyeok JSA) *\par\qr\rtlpar \u160G\u160G \u160G\u160G\u160G \u160GGrand Prix & Prix du Pu11Glic Festival du Film Asiatiqu14G de Deauville 2001\par\qr\rtlpar \u160G\u160G \u160G\u160G\u160G \u41150Gst Film & Au13Gience Award 2001 Deauville Asian Film Festival\par\qr\rtlpar 1999 \u160G\u160G \u160GJUDGEMENT (Le Jugement \u8211G Simpan) * \u8211G court m\u233Gtrage\/short\par\qr\rtlpar 1997 \u160G\u160G \u160GTHE TRIO (Saminjo) *\par\qr\rtlpar 1992 \u160G\u160G \u160GMOON IS THE SUN'S DREAM*\par\qr\rtlpar \par\qr\rtlpar Produ12Gteur | Produ206Gr\par\qr\rtlpar 2013\u160G\u160G \u160GSNOWPIERCER (Snowpiercer, le Transperceneige) Bong Joon Ho\par\qr\rtlpar 2008\u160G\u160G \u2572GRUSH AND BLUSH (MisseuHongdangmu) Lee Kyoung-mi *\par\qr\rtlpar \par\qr\rtlpar * \u233Ggalement sc\u233Gnariste\/alsoscreenwriter\par\qr\rtlpar ** \u233Ggalement produ12Gteur\/alsoprodu206Gr\par\qr\rtlpar \u1593G\u1576G\u1575G\u1587G \u1603G\u1610G\u1575G\u1585G\u1587G\u1578G\u1575G\u1605G\u1610G\par\qr\rtlpar \u1605G\u1582G\u1585G\u1580G\u1548G \u1603G\u1575G\u1578G\u1576G \u1587G\u1610G\u1606G\u1575G\u1585G\u1610G\u1608G \u1608G\u1605G\u1606G\u1578G\u1580G\par\qr\rtlpar \u1573G\u1610G\u1585G\u1575G\u1606G\par\qr\rtlpar \qr\rtlpar \par\qr\rtlpar \u1576G\u1578G\u1603G\u1585G\u1610G\u1605G\u1607G \u1587G\u1606G\u1577G 1992 \u1576G\u1605G\u1607G\u1585G\u1580G\u1575G\u1606G \u1603G\u1575G\u1606G \u1593G\u1606G \u1605G\u1580G\u1605G\u1608G\u1593G \u1571G\u1593G\u1605G\u1575G\u1604G\u1607G\u1548G \u1603G\u1575G\u1606G \u1593G\u1576G\u1575G\u1587G \u1603G\u1610G\u1575G\u1585G\u1587G\u1578G\u1575G\u1605G\u1610G \u1608G\u1604G\u1575G \u1610G\u1586G\u1575G\u1604G \u1610G\u1576G\u1606G\u1610G \u1601G\u1606G\u1575G \u1585G\u1575G\u1602G\u1610G\u1575G \u1608G\u1603G\u1608G\u1606G\u1610G\u1575G \u1610G\u1605G\u1586G\u1580G \u1601G\u1610G\u1607G \u1608G\u1576G\u1591G\u1585G\u1610G\u1602G\u1577G \u1588G\u1593G\u1585G\u1610G\u1577G \u1576G\u1610G\u1606G \u1575G\u1604G\u1602G\u1608G\u1577G \u1608G\u1575G\u1604G\u1589G\u1604G\u1575G\u1576G\u1577G \u1605G\u1606G \u1580G\u1607G\u1577G \u1608G\u1576G\u1610G\u1606G \u1575G\u1604G\u1607G\u1588G\u1575G\u1588G\u1577G \u1605G\u1606G \u1580G\u1607G\u1577G \u1571G\u1582G\u1585G\u1609G.\u160G \u1593G\u1576G\u1575G\u1587G \u1603G\u1610G\u1575G\u1585G\u1587G\u1578G\u1575G\u1605G\u1610G \u1605G\u1582G\u1585G\u1580G \u1605G\u1593G\u1578G\u1585G\u1601G \u1576G\u1607G \u1583G\u1608G\u1604G\u1610G\u1575G \u1603G\u1608G\u1575G\u1581G\u1583G \u1605G\u1606G \u1571G\u1607G\u1605G \u1605G\u1576G\u1583G\u1593G\u1610G \u1575G\u1604G\u1601G\u1606G \u1575G\u1604G\u1587G\u1575G\u1576G\u1593G \u1581G\u1610G\u1579G \u1581G\u1575G\u1586G \u1593G\u1604G\u1609G \u1575G\u1604G\u1587G\u1593G\u1601G\u1577G \u1575G\u1604G\u1584G\u1607G\u1576G\u1610G\u1577G \u1604G\u1605G\u1607G\u1585G\u1580G\u1575G\u1606G \u1603G\u1575G\u1606G \u1587G\u1606G\u1577G 1997 \u1593G\u1606G \u1601G\u1610G\u1604G\u1605G\u1607G\par\qr\rtlpar Le Go\u251Gt de la cerise\par\qr\rtlpar \u160G\u1581G\u1589G\u1604G \u1601G\u1610G\u1604G\u1605G\u1607G \u1608G\par\qr\rtlpar \u1587G\u1606G\u1577G 1999\u160G Le Vent Nous Emportera\par\qr\rtlpar \u1593G\u1604G\u1609G \u1575G\u1604G\u1580G\u1575G\u1574G\u1586G\u1577G \u1575G\u1604G\u1582G\u1575G\u1589G\u1577G \u1604G\u1604G\u1580G\u1606G\u1577G \u1578G\u1581G\u1603G\u1610G\u1605G \u1605G\u1607G\u1585G\u1580G\u1575G\u1606G \u1575G\u1604G\u1576G\u1606G\u1583G\u1602G\u1610G\u1577G.\par\qr\rtlpar \u160G\u1576G\u1593G\u1583G \u1605G\u1606G\u1593G\u1607G \u1605G\u1606G \u1575G\u1604G\u1578G\u1589G\u1608G\u1610G\u1585G \u1576G\u1573G\u1610G\u1585G\u1575G\u1606G\u1548G \u1571G\u1606G\u1580G\u1586G \u1593G\u1576G\u1575G\u1587G \u1603G\u1610G\u1575G\u1585G\u1587G\u1578G\u1575G\u1605G\u1610G\par\qr\rtlpar \u2572Gopie Conforme\par\qr\rtlpar \u160G\u1576G\u1573G\u1610G\u1591G\u1575G\u1604G\u1610G\u1575G \u1605G\u1593G \u1580G\u1608G\u1604G\u1610G\u1610G\u1578G \u1576G\u1610G\u1606G\u1608G\u1588G\par\qr\rtlpar \u160G\u1608G\u1571G\u1582G\u1585G\u1580G \u1601G\u1610G\u1604G\u1605G\u1607G \u1575G\u1604G\u1571G\u1582G\u1610G\u1585G\par\qr\rtlpar \u160GLike Someone in Love\par\qr\rtlpar \par\qr\rtlpar \par\qr\rtlpar R\u3738Glisateur&Sc\u233Gnariste| Director & screenwriter\u160G\u160G \u160G\u160G\u160G \u160G\u1605G\u1606G \u1571G\u1601G\u1604G\u1575G\u1605G\u1607G\par\qr\rtlpar \par\qr\rtlpar \par\qr\rtlpar 2012 \u160G\u160G \u160GLIKE SOMEONE IN LOVE *\/**\par\qr\rtlpar 2009 \u160G\u160G \u41166GRTIFIED COPY (Copieconforme) *\/**\par\qr\rtlpar 2008 \u160G\u160G \u160GSHIRIN **\par\qr\rtlpar 2007\u160G\u160G \u2572GHACUN SON CIN\u201GMA \u8211G segment WHERE IS MY ROMEO?\par\qr\rtlpar 2005\u160G\u160G \u160GTICKETS \u8211G collectif *\par\qr\rtlpar 2004 \u160G\u160G \u40976G ON TEN *\/**\par\qr\rtlpar 2003\u160G\u160G \u2575GIVE (Dedicated to Ozu) \u8211G doc *\par\qr\rtlpar 2002 \u160G\u160G \u160GTEN *\/**\par\qr\rtlpar 2001\u160G\u160G \u658108G AFRICA \u8211G doc **\par\qr\rtlpar \par\qr\rtlpar 1999 \u160G\u160G \u160GTHE WIND WILL CARRY US(Le vent nous emportera \u8211G Bad ma rakhahadbord) *\/**\par\qr\rtlpar Grand Prix sp\u3740Gial du Jury Venise 1999\par\qr\rtlpar 1996 \u160G\u160G \u160GTASTE OF CHERRY(Le Go\u251Gt de la cerise \u8211G Ta\u8217Gm e guilass) *\/**\par\qr\rtlpar Palme d\u8217Gor Festival de Cannes 1997\par\qr\rtlpar 1994 \u160G\u160G \u160GTHROUGH THE OLIVE TREES(Au travers des oliviers \u8211G Ziredarakhtanzeyton) *\/**\par\qr\rtlpar 1992 \u160G\u160G \u2570GND LIFE GOES ON(Et la vie continu14G \u8211G Zendegiedamedarad) *\par\qr\rtlpar 1990\u160G\u160G \u2572GLOSE-UP (Nema-ye nazdik)\par\qr\rtlpar 1987 \u160G\u160G \u160GWHERE IS THE FRIEND\u8217GS HOME?(O\u249G est la maison de mon ami ? \u8211G Khaneh-yedustkojast ?) *\par\qr\rtlpar 1984\u160G\u160G \u2575GIRST GRADERS (Les \u201Gl\u232Gves du cours pr\u233Gparatoire) \u8211G doc\par\qr\rtlpar 1977 \u160G\u160G \u160GREPORT(Le Rapport \u8211G Gozaresh) *\par\qr\rtlpar 1974 \u160G\u160G \u160GTHE TRAVELLER(Le Passager \u8211G Mossafer) *\par\qr\rtlpar 1970\u160G\u160G \u2571GREAD AND ALLEY (Le Pain et la ru14G \u8211G Nan vakoutcheh) \u8211G court m\u233Gtrage\/short *\par\qr\rtlpar \par\qr\rtlpar * \u233Ggalementsc\u233Gnariste\/also screenwriter\par\qr\rtlpar ** \u233Ggalementprodu12Gteur\/also produ206Gr\par\qr\rtlpar \par\qr\rtlpar Sc\u233Gnariste | Screenwriter\par\qr\rtlpar \par\qr\rtlpar 2003\u160G\u160G \u2572GRIMSON GOLD (Sang et or \u8211G Talayesorkh) JafarPanahi\par\qr\rtlpar 1995\u160G\u160G \u160GTHE WHITE BALLOON (Le Ballon blanc \u8211G Badkonakesefid) JafarPanahi\par\qr\rtlpar \par\qr\rtlpar \par\qr\rtlpar PRESSE NATIONALE I NATIONAL PRESS\par\qr\rtlpar Farah ACHAB, Charg\u3742G des relations presse \/ Press coordinator\par\qr\rtlpar Tel.: +212 661 316 096, farah.achab@festivalmarrakech.org\par\qr\rtlpar \par\qr\rtlpar L\u131482GGENCE RP\par\qr\rtlpar Salma MOUBSSETE, Tel.: +212 522 86 20 33\/34, salma.mou11Gssete@agencerp.com\par\qr\rtlpar \par\qr\rtlpar PRESSE PANARABE IPANARABIAN PRESS\par\qr\rtlpar CONCEPT MENA\par\qr\rtlpar MarwaMOUGHZI, Tel.: +212 6 53 07 36 08, marwa.moughzi@gmail.com\par\qr\rtlpar \par\qr\rtlpar PRESSE INTERNATIONALE I INTERNATIONAL PRESS\par\qr\rtlpar LE PUBLIC SYST\u200GME CIN\u201GMA\par\qr\rtlpar Tel.: +33 1 41 34 23 50, presse@lepu11Glicsystemecinema.fr\par\qr\rtlpar www.festivalmarrakech.info\par\qr\rtlpar \par\qr\rtlpar }